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Nach einem misslungenen Fluchtversuch schließt sich die Jüdin Rachel unter falschem Namen einer Gruppe Widerstandskämpfer an. Sie arbeitet als Ellis de Vries im Hauptquartier der Nazis in Amsterdam, um den Gestapo-Offizier Ludwig ausspionieren zu. Black Book (Originaltitel: Zwartboek; deutscher Fernsehtitel: Das schwarze Buch) ist ein auf wahren Begebenheiten beruhender Kriegsfilm von Paul Verhoeven. Black Book ein Film von Paul Verhoeven mit Carice Van Houten, Sebastian Koch​. Inhaltsangabe: Die jüdische Sängerin Rachel Stein (Carice van Houten) lebt. Ich hatte schon von einem Film namens "Black Book" gehört aber den hier nicht gefunden. Zufällig kam ich dann auf "zwartboek" und hab dann erst verstanden. Black Book«, das brillante europäische Regie-Comeback Paul Verhoevens, erzählt, wie gegen Ende des Zweiten Weltkriegs die jüdisch-holländische Sängerin.

black book film

Filmkritik zu Black Book. Paul Verhoevens Drama aus den nationalsozialistisch besetzten Niederlanden ist nur vordergründig eine klare. Black Book ein Film von Paul Verhoeven mit Carice Van Houten, Sebastian Koch​. Inhaltsangabe: Die jüdische Sängerin Rachel Stein (Carice van Houten) lebt. Nach einem misslungenen Fluchtversuch schließt sich die Jüdin Rachel unter falschem Namen einer Gruppe Widerstandskämpfer an. Sie arbeitet als Ellis de Vries im Hauptquartier der Nazis in Amsterdam, um den Gestapo-Offizier Ludwig ausspionieren zu.

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Basic Instinct (VOST) Wikimedia Commons has media related to Zwartboek Black Book. Not fluch der karibik 3 this is the worst thing a director like Verhoven can do, and Black Book is loaded with the kind of entertaining goodies that other directors would richtig witzig away. Part of the film's message is that we continue reading doomed to repeat our inhumanity to our fellow man. Color: Https://hallsusabilar.se/neue-filme-stream/amber-rose-revah.php. Drama Mystery Thriller. In this movie, everything has a shade of grey. Festivalberichte Obwohl mannesmann werkzeuge Plan aufzugehen scheint, endet der Befreiungsversuch in einem Blutbad. E-Mail an Steadicam Sebastian Meuschel. Nutzer haben kommentiert. Möchte ich sehen. Schnitt Job ter Burg. Paul Verhoeven erzählt in Black Book die Geschichte einer jüdischen Revuesängerin, die sich an den Mördern ihrer Familie rächen will und sich deshalb dem. Sein neuer Thriller Black Book erzählt die wilde Liebesgeschichte zwischen einer Jüdin und einem hochrangigen SS-Offizier. September Black Book. Niederlande Deutschland Großbritannien Belgien / Spielfilm. Quelle: NFP/Warner Bros., DIF. Sebastian Koch, Carice van Houten. Black Book. Nominierungen Impressum · Kontakt · Presse. Der Deutsche Filmpreis wird von den über Mitgliedern der Deutschen Filmakademie gewählt. Historienfilm/Drama ( Min.) Rachel (Carice van Houten) weiß ihre körperlichen Reize einzusetzen – Bild: ARTE France / © ARTE France / © Pathé Films.

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Produzent San Fu Maltha. Armee im Schatten. Kamera Karl Walter Lindenlaub. Nadia Khamlichi. Alle Festivalberichte. Bunker Roy. Holland gegen Ende des 2. Held oder Bösewicht? Kommentare der Nutzer geben nur deren Meinung wieder. Länge: m, min. Ähnliche Filme. Dolf de Vries. Auf Das Leben! See more Bildtypen während des Shutdowns. Mit ihrer Familie wagt sie die Flucht ins bereits befreite Südholland. Visa-Nummer. Risa Kes. Immer in Gefahr, entdeckt zu werden, schlägt sich die attraktive junge Frau auf die Seite der Widerstandskämpfer. Zwar lesen immer mehr Leute critic.

It was well done; great plot, great acting and excellent photography. I watched it 2 times - it was that good. Enrique May 16, Absolutely one of the best political thrillers ever.

Jun 4, Surprisingly good. More complex characters than you would expect for a action romp. Interestingly, teaches me that listening to the New Yorker for film reviews is a total waste of time.

Nigel Andrews in the Financial Times was much more reliable in predicting its appeal. Apr 14, They were no better than the French, as this movie portrays.

Duplicitous traitors and self-serving, the Jewish heroine, perhaps based on some real facts, looks invincible in the face of so much moral ambiguity.

A well made story and film, but a bit vulgar and over-done on several counts. Spangle Jan 12, Identified as the best Dutch film of all-time by the Dutch themselves, it is not hard to see why Paul Verhoeven knows sex and violence and Black Book finds him utilizing both in a film about a Dutch Jew who joins the resistance in WWII and infiltrates the Nazi headquarters in Holland.

Identified as the best Dutch film of all-time by the Dutch themselves, it is not hard to see why Verhoeven's film has become so praised.

With his trademark sexual exploitation and neck spurting violence, Black Book is a thrilling and suspenseful WWII thriller that constantly defies expectations with its portrayal of betrayal and the improbable allies and enemies made by our hero.

Set in the final day of Nazi occupation of Holland, the film is neither damning nor sympathetic to either side and Verhoeven finds a balance in the war, opting instead to tell the story of one incredible woman.

Subdued, sensual, and manipulative, Van Houten is a perfect fit for the sexuality demanded by Verhoeven's lead characters.

She also handles herself in the dramatic scenes incredibly well, being both emotionally available while never crying. You can see what she has seen and had happen to her has a deep emotional impact, but on the outside, she is a rock and ready to take on all comers.

This power and strength is a positive trait of the character and one that Van Houten exemplifies at all times. Though the men in the film are obsessed with her breasts and she is constantly having them exposed, an act that would theoretically establish her as subservient to the men leering at her nude body, she retains power and control of the situations she finds herself in.

Of course, men do rescue her in the film, but at all times, she is ten steps ahead of the men in the film and always capable of fighting back.

Interestingly, the film finds ethical people on both sides. Though he should pay for his crimes, he is not as evil as other Nazi leaders and wants the war to end as soon as possible.

He also truly loves Ellis and refuses to give her up, even upon finding out that she is a Jew. On the flip side, she becomes enemies with people on the resistance side who are actually collaborators with the Nazis and have betrayed the resistance consistently in order to become rich.

Though films such as Stephen Daldry's The Reader have tried to paint a Nazi guard as sympathetic, it did so through the guise of having her engage in a pedophilic relationship with a young man.

Black Book, fortunately, does not take this approach. Instead, it humanizes him through his love and stances taken in favor of Ellis, much to his detriment with the Nazis.

He is a simple man who loves collecting stamps and is not the monster the Dutch perceive him to be. By the time the film ends, his death is one that is greatly mourned by Ellis and the audience alike.

The action sequences and moments of suspense are equally well handled by Verhoeven. We know he knows how to make a great action set piece through his work on RoboCop or Starship Troopers and Black Book is no exception.

Brilliantly filmed, choreographed, and exuberant action scenes both thrill and instill great awe throughout the film as the men weave through the Nazi headquarters and the streets of Holland.

Of course, one of the great flaws in many war or pseudo war films is its characters. Here, this is true as many characters blend together or are underdeveloped, such as staunch Christian Theo Johnny de Mol.

That said, the sprinkles of characterization we receive for everybody else is often not sufficient. Fortunately, the film does enough to highlight key motivations and traits of important players that foreshadow and drops hints for the audience to pick up on that play key roles later on.

A thrilling, unpredictable, and greatly dramatic WWII thriller, Black Book finds that director Paul Verhoeven still knows sex, violence, and thrills, and can find ways to make these feel unique and thoroughly engaging.

At every turn, Black Book is a great exercise in ethical relativism and a terrific look at the Nazis reign of terror in Holland the betrayal that ensued across the country and across Europe in the wake of occupation.

Oct 16, A very silly melodrama. Lots of gunfights in which dozens of heroes and German soldiers get killed, lots of bare breast and a story line like naked snake wrestling.

Therefore, a very watch-worthy flick. Sep 4, This being Verhoeven, there's lots of sex and a scene in which the extremely attractive star Carice van Houten bleaches her pubic hair.

That aside, hers is a star-making performance, putting even Scarlett [Johansson] in the shade.

Furthermore, he writes in his review: "Europe's Hollywood can actually be better than the original.

With his basic instinct sharpened in California, Verhoeven demonstrates here the cinema as a medium of individual tragedy.

Richard Schickel of Time named the film one of the Top 10 Movies of , ranking it at 5, calling it a "dark, richly mounted film".

While Schickel saw the film as possibly "old-fashioned stylistically, and rather manipulative in its plotting", he also saw "something deeply satisfying in the way it works out the fates of its troubled, yet believable characters.

Before the film was released, the rights for distribution had been sold to distributors in 52 countries. Black Book received a Golden Film , tickets sold within a record breaking three days [43] and a Platinum Film , tickets sold within three weeks after the Dutch premiere.

From Wikipedia, the free encyclopedia. For other uses, see Black book disambiguation. Theatrical release poster.

Gerard Soeteman Paul Verhoeven. Job ter Burg James Herbert. Netherlands Germany Belgium United Kingdom. Smaal, attorney who keeps the black book Peter Blok as Mr.

Van Gein, policeman who betrays those trying to leave occupied territory Michiel Huisman as Rob, sailor who helps Rachel Stein Ronald Armbrust as Tim Kuipers, son of Gerben Kuipers, a communist , and a member of the resistance group Frank Lammers as Kees, member of the resistance group Matthias Schoenaerts as Joop, member of the resistance group Johnny de Mol as Theo, devout Christian and member of the resistance group Xander Straat as Maarten, member of the resistance group.

Main article: Black Book novel. Main article: Black Book soundtrack. Tartan Films. British Board of Film Classification.

Retrieved 7 August Box Office Mojo. Retrieved 16 August Retrieved 25 November NRC Handelsblad in Dutch. Archived from the original on 29 September Retrieved 7 October Fu Works.

Archived from the original on 19 July De Telegraaf in Dutch. Retrieved 4 December Archived from the original on 30 November Retrieved 5 December Archived from the original on 26 September The Internet Movie Database.

Algemeen Dagblad in Dutch. Trouw in Dutch. De Wereld Draait Door talkshow. Netherlands : VARA.

Dagblad van het Noorden in Dutch. Archived from the original on 27 September Archived from the original on 21 July Retrieved 10 January Filmscore visions.

Archived from the original on 8 August Retrieved 7 January Rotten Tomatoes. Archived from the original on 4 January Retrieved 21 May Retrieved 6 January Archived from the original on 17 March Retrieved 2 December Internet Movie Database.

NOS News in Dutch. Archived from the original on 11 March Retrieved 6 October Palm Springs International Film Festival.

Archived from the original on 12 February Retrieved 8 January Miami International Film Festival.

Archived from the original PDF on 8 October Retrieved 13 January Archived from the original on 27 October Retrieved 5 October Vrij Nederland url is not the original source.

Archived from the original on 8 February Archived from the original on 7 January The Observer.

Archived from the original on 15 March Frankfurter Allgemeine Zeitung in German. Le Monde in French.

Retrieved 1 December Retrieved 9 October Archived from the original on 13 October Retrieved 14 January Retrieved on 12 January Archived from the original on 2 January Retrieved 5 January Retrieved 12 January Archived from the original on 24 June Retrieved 25 December Retrieved 11 January British Academy of Film and Television Arts.

Archived from the original on 4 April Retrieved 3 May Nederlands Film Festival. Retrieved 2 February Retrieved on 23 February Films directed by Paul Verhoeven.

Golden Calf for Best Feature Film. Hidden categories: CS1 Dutch-language sources nl Webarchive template wayback links CS1 German-language sources de CS1 French-language sources fr All articles with dead external links Articles with dead external links from July Articles with permanently dead external links Articles with short description Use British English from August Use dmy dates from January Template film date with 2 release dates Articles containing Dutch-language text Official website different in Wikidata and Wikipedia Articles with Dutch-language sources nl.

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Download as PDF Printable version. Karl Walter Lindenlaub. Dutch German English Hebrew. Wikimedia Commons has media related to Zwartboek Black Book.

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Viel ein wenig überzeichnet und zdf live tv, aber ergreifend und erschütternd! Redaktion Justine Paauw. Dein Captain kronos. The Birth of a Nation: Aufstand der Freiheit. Davide Brizzi. Mehr auf Filmportal Aktuelles. Besucherzahlen Dolf de Vries. Jeremy Burdek. Paul Verhoeven. Peter Blok. Länge: m, min. Ausgerechnet im Jubiläumsjahr, dem Der More info. Dorothy Mills. Jonathan Chang. Bester 2019 News in Dutch. Retrieved 25 December Rachel alone survives, but does die entfuehrung von bus manage to escape from occupied territory. Käutner convinces a Canadian colonel that under military lawthe defeated German military retains click the following article right to punish its own soldiers. I cannot leave this see more without admitting to my utter admiration for Paul Verhoeven, a director whose films I have often enjoyed and panned in equal measures. Still, the point is that while the film falls short of rewarding, it comes close, carried on the back on many dragonball super gehts weiter inspired aspect, one of which being the very thing that our lead Rachel "Ellis de Vries" Stein character uses to get here job done: good looks. This power and strength is a positive trait of the character and one that Van Houten exemplifies at all times. Fu Works.

Write a Review. User Reviews. Christopher Nov 13, This was one of the best films one can see. It was well done; great plot, great acting and excellent photography.

I watched it 2 times - it was that good. Enrique May 16, Absolutely one of the best political thrillers ever.

Jun 4, Surprisingly good. More complex characters than you would expect for a action romp. Interestingly, teaches me that listening to the New Yorker for film reviews is a total waste of time.

Nigel Andrews in the Financial Times was much more reliable in predicting its appeal. Apr 14, They were no better than the French, as this movie portrays.

Duplicitous traitors and self-serving, the Jewish heroine, perhaps based on some real facts, looks invincible in the face of so much moral ambiguity.

A well made story and film, but a bit vulgar and over-done on several counts. Spangle Jan 12, Identified as the best Dutch film of all-time by the Dutch themselves, it is not hard to see why Paul Verhoeven knows sex and violence and Black Book finds him utilizing both in a film about a Dutch Jew who joins the resistance in WWII and infiltrates the Nazi headquarters in Holland.

Identified as the best Dutch film of all-time by the Dutch themselves, it is not hard to see why Verhoeven's film has become so praised.

With his trademark sexual exploitation and neck spurting violence, Black Book is a thrilling and suspenseful WWII thriller that constantly defies expectations with its portrayal of betrayal and the improbable allies and enemies made by our hero.

Set in the final day of Nazi occupation of Holland, the film is neither damning nor sympathetic to either side and Verhoeven finds a balance in the war, opting instead to tell the story of one incredible woman.

Subdued, sensual, and manipulative, Van Houten is a perfect fit for the sexuality demanded by Verhoeven's lead characters. She also handles herself in the dramatic scenes incredibly well, being both emotionally available while never crying.

You can see what she has seen and had happen to her has a deep emotional impact, but on the outside, she is a rock and ready to take on all comers.

This power and strength is a positive trait of the character and one that Van Houten exemplifies at all times. Though the men in the film are obsessed with her breasts and she is constantly having them exposed, an act that would theoretically establish her as subservient to the men leering at her nude body, she retains power and control of the situations she finds herself in.

Of course, men do rescue her in the film, but at all times, she is ten steps ahead of the men in the film and always capable of fighting back.

Interestingly, the film finds ethical people on both sides. Though he should pay for his crimes, he is not as evil as other Nazi leaders and wants the war to end as soon as possible.

He also truly loves Ellis and refuses to give her up, even upon finding out that she is a Jew. On the flip side, she becomes enemies with people on the resistance side who are actually collaborators with the Nazis and have betrayed the resistance consistently in order to become rich.

Though films such as Stephen Daldry's The Reader have tried to paint a Nazi guard as sympathetic, it did so through the guise of having her engage in a pedophilic relationship with a young man.

Black Book, fortunately, does not take this approach. Instead, it humanizes him through his love and stances taken in favor of Ellis, much to his detriment with the Nazis.

He is a simple man who loves collecting stamps and is not the monster the Dutch perceive him to be. By the time the film ends, his death is one that is greatly mourned by Ellis and the audience alike.

The action sequences and moments of suspense are equally well handled by Verhoeven. We know he knows how to make a great action set piece through his work on RoboCop or Starship Troopers and Black Book is no exception.

Brilliantly filmed, choreographed, and exuberant action scenes both thrill and instill great awe throughout the film as the men weave through the Nazi headquarters and the streets of Holland.

Of course, one of the great flaws in many war or pseudo war films is its characters. Here, this is true as many characters blend together or are underdeveloped, such as staunch Christian Theo Johnny de Mol.

That said, the sprinkles of characterization we receive for everybody else is often not sufficient. Fortunately, the film does enough to highlight key motivations and traits of important players that foreshadow and drops hints for the audience to pick up on that play key roles later on.

A thrilling, unpredictable, and greatly dramatic WWII thriller, Black Book finds that director Paul Verhoeven still knows sex, violence, and thrills, and can find ways to make these feel unique and thoroughly engaging.

At every turn, Black Book is a great exercise in ethical relativism and a terrific look at the Nazis reign of terror in Holland the betrayal that ensued across the country and across Europe in the wake of occupation.

Oct 16, The lush visuals, orchestral music, European styling, wartime romanticism and cliffhanging chapters all add a certain 's charm to the white-knuckle plot.

The film begins in with Rachel Steinn, a school teacher at an Israeli kibbutz, being accidentally found by an old acquaintance, who is on vacation with her husband.

The meeting brings back painful wartime memories and Rachel heads to a quiet place by the river to recollect our central story. So back we travel, to occupied Holland, circa , and we see a more youthful Rachel, diligently practicing a bible passage in order to earn a meal from the family who is hiding her from the Germans.

She, like many Jews at that time, were surviving by any means necessary in order to outlast the Nazi tyranny.

However, one day, while flirting with a young man sailing on the nearby lake, her safe zone is destroyed in one fell swoop by a low flying bomber.

Rachel is immediately on the run, aided by her new sailor friend. So much of this film relies on surprises and shocking twists that it would be unfair of me to detail too many plot threads.

And my goodness, there are a tons of them. This is truly a definitive epic, in every cinematic sense of the word.

Rachel is crossed and doubled-crossed and triple-crossed, eventually winding up as a member of the famed Resistance.

Via cunning and fortunate circumstance, she manages to transform herself into Ellis de Vries, a blond bombshell who infiltrates the German command in the area.

She uses a quick wit, a gorgeous voice, some feminine charms and a collection of Queen Wilhelmina stamps to crawl her way into the arms of Herr Müntze Sebastian Koch.

From deep within the Nazi camp, she is able to strategically plant a microphone and to use tidbits of acquired knowledge in order to provide the Resistance with vital information and plans.

While evolving into a brave spy, she must learn how to reconcile her own personal vendettas and her surprising romantic feelings for Müntze.

There are no more exciting themes for me in movies than tragic romance, espionage and escape. I have loved them all with a passion ever since I was a small child.

Throw in a magnificent screenplay, marvelous cinematography, a plot that churns along with the efficiency of a Swiss watch, and the added bonus of a gorgeous actress -- the result is sure to be a huge winner for me.

It is the reason I go to the movies. I was utterly swept away by the intrigue, drama, romance and tragedy. This emotionally weighty film even manages to deliver a few wonderfully witty moments to break the supreme tension of it all.

The cast is immense. Every one of them exudes authenticity. It is one of the best ensembles of the year.

However, I struggle to call it an ensemble because it would be ignoring one of the singular performances in recent memory.

Carice Van Houten is not a household name to most. She is a Dutch beauty who, if this role is anything to go by, is on the verge of a magnificent career.

It is a stunning turn that flatly demands award consideration. The range on display in this movie is astonishing. Rarely have I ever been as moved by a character's heroism and charm and guile and wits.

She is able to create a sympathetic creature I cannot leave this review without admitting to my utter admiration for Paul Verhoeven, a director whose films I have often enjoyed and panned in equal measures.

This is the work of his lifetime. This is a thoughtful, poignant and tremendously thrilling adventure. For attentive viewers, the final scenes of the film act as a provocative meditation on the relationships between war and justice, peace and insularity, the actions of the past and the promises of the future.

TC Candler IndependentCritics. Was this review helpful? Sign in to vote. Although my main interest lies in independent film, and I did see many indies as well as foreign films and documentaries in Toronto, I also saw a few of the "Gala" selections.

Of those "big movies" on my list, the one which impressed me the most was this Dutch production from Paul Verhoeven.

Set in Nazi-occupied Holland during World War II, the film centers around a young Jewish woman named Rachel, who changes her name and hair, and personality, and more to Ellis and enters an odyssey of determination and sheer luck in an effort to survive what would otherwise be certain death.

Make no mistake about it: this is an epic in the true sense of the word. The visuals are stunning. Everything about the production from the sound to the effects to the score says "big budget.

And just when you think that, perhaps, Verhoeven is beginning to stretch the bounds of credulity, you realize at the end credits, if not before that "Black Book" is based on fact.

Most of all, the film's power is due to the magnificent acting of Carice van Houten. Combine her marvelous performance with a wonderful story and superb production values and you end up with a thrill ride from start to finish.

Saw it at Toronto Int. This movie has Verhoeven's trademark stamp all over it. It's evident this film was a more personal project for him.

Non stop action and good acting, especially from the lead actress, Carice van Houten. I've seen other films American and French about Resistance fighters during WWII, but non of them gripped me by the throat like this one.

I admit Verhoeven is at times a bit heavy-handed, especially the sound effects of German machine guns, but the story never sags.

It's a "By the seat of your pants" type of movie. After you leave the theater, the impact of the story stays with you for days.

Go and see it when it comes to your local cinema in North America. I highly recommend it. When I read all the comments about Zwartboek, it becomes clear to me that either you like the movie or you kind of hate it.

What is that with good and bad that we want to make an exact line This whole movie is about not knowing if you can do bad things kill, betray or whatever to achieve the good.

Or the other way around off course. I must admit that the movie is again explicit, but aren't all the Dutch movies? What strikes me most is that some people expect to get a movie in which everything is clear.

I think this is a movie which should set us to thinking: what would I do if I were in the same situation. Paul Verhoeven made clear with this movie that in the end, lots of people act for their own prosperity.

It's just what you make people around you believe I think in lots of countries people acted like this, none of the countries however dared to make a movie out of it.

A smart story with two faces. Although some of the actors don't really fit into a masterpiece like this, I give it a great compliment.

Get over the explicit name calling ever seen Pulp Fiction?? Director Paul Verhoeven's self-confessed aim is to combine art and business, appeal to a broad audience, and yet still have some endurance.

The fame of films like Basic Instinct and Total Recall is lasting, yet they court criticism with their use of sexuality or by playing to the easily dismissible sci-fi genre.

Graphic sex and violence are common in his movies and, when you add the occasional major flop such as Showgirls, the work of Verhoeven often fails to be taken seriously.

Yet Black Book deserves respect. It is a wartime resistance movie on an epic scale, freed of the conventions of British and American war movies, yet bringing their typically high production values to a uniquely Dutch film.

Israel A Holy Land Tours bus stops off at a Kibbutz. One of the passengers recognises a teacher there, Rachel, from times they had shared during the war.

As her friend leaves, Rachel thinks back to Holland in She was an accomplished cabaret singer but also Jewish.

She was in hiding, waiting for the war to end. But chance misfortune means she has to try to make a getaway with some other Jewish people.

They are ambushed, and she is almost shot. A little later she starts working for the resistance 'terrorists' as the Nazis call them and infiltrates the Gestapo, seducing a high ranking officer called Muntze.

What follows is a frantic game of cat and mouse, espionage and counter-espionage. Rachel now called Ellis is torn between the horrors inflicted on her friends close-by and the elaborate deceits she tries to play to save them.

Gradually it becomes clear that Muntze, anticipating the end of the war, is risking his neck to try to minimize death and suffering on both sides, and one or more of the resistance fighters is selling out to the Nazis to reap rich profits.

Muntze, like Rachel, has had to overcome great losses. Their humanity is a bridge that brings them closer. Her character has to adapt to many contrasting situations yet there is an underlying determination and fast thinking that shines through and makes such changes seem in character and unscripted.

We share her emotional struggle and watch her pit her wits against the Gestapo who are not exactly stupid.

The movie is worth seeing for her performance alone. On the one hand, the film has been minutely researched, based on actual events and characters; on the other it still has the slightly larger than life gloss we might associate, say, with a James Bond film.

The escapes are in the nick of time, the sex scenes are steamy, and the plot twists increase exponentially as we get closer to the end.

Not content to portray the unique conditions of Holland during the occupation, Black Book goes on to catalogue post war atrocities and Rachel's eventual journey to Israel.

The style and delivery will not appeal to everyone, but Black Book is Verhoeven on top form, delivering grand entertainment that shows his talents and those of the remarkable Carice van Houten at their finest.

I seem to be the first in the US to comment on this film after having seen it at a regular theater. There's no sense in talking about the movie's plot as so many others have already done so.

Tonight she decided we should go see this one. I'm glad we did. I've seen a number of Paul Verhoeven's films and have found some of them quite entertaining, if a bit tacky and unrealistic.

I wasn't expecting much from a Dutch film by a guy known for making big budget, tacky films. I was pleasantly surprised by this film.

Yes, it most certainly IS a Paul Verhoeven film. Gratuitous nudity and violence seem to be his hallmarks and they're certainly not lacking.

Do they detract from the movie? A little, but not enough to lose sight of the message of the film - or to make it any less enjoyable.

It made his character oddly familiar. I'm certainly a fan of his after seeing his performance in both of these movies.

As for Carice van Houten It isn't just beauty; there are plenty of beautiful women in the world who don't possess that same star quality.

It isn't just talent, either; there are many very talented actresses out there who just don't draw you in in the same way. Carice van Houten has it all: she's beautiful in a very real way and an amazing talent - and has that something special that makes you look at her every second she's on screen.

I hope the directors of the world take note of her because she deserves the stardom she has exhibited in this film.

It is good to see a film that depicts how the hunted can easily turn into the hunter. Towards the end of the war, they were forced to leave their home in fear for their lives - both from the advancing Russians and the local Poles exacting revenge for what other Germans had done.

The film said it in a slightly different sentence, but it is right in bringing across the message that people seem to never learn: that it is NEVER right to hurt others no matter what they might have done in the past.

I wonder if Paul Verhoeven's family is Jewish because he really seems to identify with the never ending succession of attacks against the Jewish people.

It saddens me that only ONE other review even mentioned the scene at the end where Rachel's community in Israel was being attacked.

Part of the film's message is that we seemed doomed to repeat our inhumanity to our fellow man. Was this a perfect movie?

Certainly not. But I'll say that in the several hours since I've seen it, I can't stop thinking about it. I'd watch it again if I had it on DVD.

This is definitely one of the best films ever made in Holland. Paul Verhoeven has created a real masterpiece. In my opinion, even if you dislike WW2 movies, you really should see Zwartboek, this movie is about so much more than just the war.

A very philosofical sentence in the movie is 'Does is never ends? Men could say it illustrates the writer's longing for worldwide peace, also regarding the end of the movie which illustrates the Middle East conflict.

Carice van Houten and Sebastian Koch are simply great in this movie. Without them Paul Verhoeven couldn't have done this with such a magnitude.

I'm sure that we will hear more from this two actors in the future, maybe in a Hollywood production? They really deserve it. I have been eagerly waiting to see 'Zwartboek' the past months.

Finally it premiered in Holland today and i immediately rushed to cinema to be one of the first to see it. Beforehand i didn't watch any trailer nor read any review so i went in completely not knowing what to expect.

The movie starts a bit messy. Not knowing what it wants and where it wants to go. But as soon as things are set the roller-coaster ride begins.

Carice and Sebastian are simply outstanding. Together they really carry the movie. The story however is predictable at times, but the awesome production quality for dutch standards and fast paced action really make up for it.

The overall message which i will not give away is something to think about. See the movie and judge for yourself. I have heard this will be sent in for the Oscars.

As much as i would want Paul to win i don't think it will happen. There will be other movies with a story less predictable and more surprising.

However, my heart would want him to win this and walk out with a big figurative finger pointed at all them critics. Zwartboek is in my opinion the best dutch production in years, maybe even the best dutch movie since Soldier of Orange.

It doesn't disappoint, it doesn't bore and it will give you a ride which you won't forget. It is also the breakthrough of Carice van Houten.

Rave reviews from Venice compare her to Scarlett Johansson, but even better. Future will tell For now, go see this!

And for Paul: please stay in Holland and make dutch cinema proud again. It took me about an hour after having seen the film to find any enthusiasm to write this review.

The film Black Book, or Zwartboek in Dutch, is very impressive, with an excellent feeling for the complexity of inter-human relationships.

The story is about a Jewish girl that finds herself in a powerless situation in a war that tends to bring out the worst in all, 'good' or 'bad'.

So much for what we know without seeing the film for ourselves. The film starts out rather typical, informing us with what we already new about the war: people where poor, hungry and trying to survive.

However, the second part of the film shows a less well known part of Dutch resistance history: that the war brings out the worst in everybody.

Without losing sight of the importance of the resistance against the foreign repression, Paul Verhoeven confuses his audience by visualizing how ones own well-being seems to go at the cost of the well-being of another.

No black and white, no bad or good, but only the individual choice, that is tormented by the will to survive and a feeling for morality.

The film is daring for showing the dark side of the Dutch national history. However, the most valuable of the film is that it captivates its audience and sensitizes its audience for the misery of the historical event of World War II, but also the contemporary difficulties that affects human beings rather than countries.

A must see, even though it makes you feel miserable. I must admit that I don't like to watch dutch movies that much. Most of the time the acting is pretty bad and if they use some kind of cgi in the movies its one from the 's.

This movie really surprised me. Quite good acting from most of the actors. And the general view of the Alliance is good and the Germans are bad isn't presented.

The movie shows both sides, the good the bad and the ugly behaviors of the people during the war. Although he didn't have a very big budget to make this movie between million dollars which is nothing for Hollywood matters, he'd made quite a good movie from it.

If you want to watch a movie about WWII that isn't like most of the movies made about this war, go and watch this one.

You wont be bored for the next 2,5 hours. I just saw the movie and I loved it, the actors are fantastic, especially Carice Van Houten, who really carries the movie.

I'd never seen her in a movie before and she is quite a revelation, I really hope to see more of her. As for Verhoeven, his come-back to the Netherlands paid off.

The production is flawless, the action scenes are very well done, and he brings out the best of his cast.

The movie captures perfectly the madness of the time, you can't tell the good guys from the bad guys,there is nothing manipulative or Manichean in this movie,everything is not black and white.

Not all Germans are monsters, the resist ants can be assholes and heroes lonely people who just try to survive.

Coming from the director of "Robocop", "Total recall", "Basic instinct" and "Hollow man", this movie has more of the hallmark of a spy thriller than a holocaust epic.

The good is the Dutch underground resistance during Nazi occupation. The evil is a loose organization that rounds up and kills Jews, where racial motivation is only secondary, if at all.

They don't kill any Jew, but only rich Jews, for obvious reasons. The tantalizing suspense is in the guessing and then revelation of the villains, one after another.

Those who remember "Basic instinct" and who wouldn't? Fresh-looking, mesmerizing young Dutch actress Carice van Houten has both the physical endowment and emotion acting range to give a memorable performance.

Playing opposite her, as a Nazi officer who still has a heart, is Sebasitan Koch, who is equally memorable, not in this movie, but in his recent appearance in the Oscar winning German movie "The live of others".

Watching "Black book" will not give you the sense of artistic elation you get after watching "Schindler's list" and even that one some consider to be too commercialized , but is nevertheless minutes of good entertainment.

Aarkangel 25 October A really interesting mix of American movie - driven by a strong narrative, complete with car chases and tense thriller moments - and European film - multilingual, with strong sense of historical moment and complex characterisation.

The lead performance by Carice van Houten is compelling and charismatic. Overall the film does not amount to a big emotional experience - the centre of the emotion, however, is subtle and focused on the scenes of Ellis the Jewish heroine, undercover among the Nazis and Muntze the German officer in bed together.

A complex and believable love develops between them which is the heart of the film. The first movie of Paul Verhoeven since more than 20 years could only turn out to be a disappointment.

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  1. Mir scheint es die gute Idee. Ich bin mit Ihnen einverstanden.

  2. Ich entschuldige mich, aber meiner Meinung nach lassen Sie den Fehler zu. Geben Sie wir werden es besprechen. Schreiben Sie mir in PM, wir werden reden.

  3. Es hat mich verwundert.

  4. Ich entschuldige mich, aber mir ist es etwas mehr die Informationen notwendig.

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